To cut a long story short, Grand Vizier Kara Mustafa Pasha laid siege to the city on July 14th, 1683, with an army that far outnumbered the defenders. ![]() 111017/5 excerpt reproduced with permission under the terms of the CC0 licence) 5 in a series from 1683–1684, Wien Museum Inv.-Nr. (The battle at the Burg bastion by Romeyn de Hooghe (Artist), Nicolaes Visscher (II.) (publisher) Nr. After a less than stellar first few decades in the 1600s, they found themselves on the up again in the 1680s.Īnd so the Ottomans sought to succeed where Suleiman failed and set off to capture Vienna: a true jewel of the continent and a vital strategic and trade asset. Like most empires, the Ottomans went through peaks and troughs of size, power and influence. Suleiman failed to breach the defences and, with winter coming, called it quits and returned home.īut the second siege of Vienna interests us more, being a rather pivotal event in European and Viennese history. The Ottomans, centered in modern-day Turkey, conquered large chunks of southeastern Europe during that time, including various Habsburg dominions.įor example, Suleiman the Magnificent’s military endeavours saw the Ottoman empire expand to include much of today’s Hungary and took him right to the city limits of Vienna in 1529 (the first Siege of Vienna). One of the great disputes in European history was the war between the Habsburgs and the Ottoman empire, an on-off conflict that began in the early 16th century and lasted almost 300 years. Reproduced with permission under the terms of Creative Commons License CC BY-SA 4.0. 2731 Photo courtesy of and © Belvedere, Wien. And, while I will admit that I personally didn't care for the score (it is admittedly good music, but I also felt it didn't really fit the tone and mood of the film overall), this is still a fantastic watch.(Karl von Blaas, The Defence of Vienna against the Turks 1683, from around 1685, oil on canvas, 65 x 48 cm, Belvedere, Wien, Inv.-Nr. It's just that, with the way the movie sets everything up involving Welles character, you really can't help but leave the screening remembering every scene involving him. That's not to take away from Joseph Cotten's commendable lead turn. Any and every scene with Orson Welles is nothing short of iconic. ![]() ![]() Once the reveals come, though, I'll say I had a consistently pervasive smile on my face. This is a project that takes great pride in its slow burn approach, offering up a veneer of normalcy to the viewer, but with little nuances in the dialogue, tonality and camerawork to let you know something's not quite right here. ![]() These narrative attributes are thanks in no small part to master storyteller and novelist Graham Greene, who penned the film's screenplay. Another legendary picture that I'm - mostly - regretting not seeing sooner, Carol Reed's "The Third Man" might be the benchmark film noir in terms of pacing and structure, with a first and second act that unfolds in a deliberate, yet engrossing manner and a relentless finale that leaves you Another legendary picture that I'm - mostly - regretting not seeing sooner, Carol Reed's "The Third Man" might be the benchmark film noir in terms of pacing and structure, with a first and second act that unfolds in a deliberate, yet engrossing manner and a relentless finale that leaves you absolutely speechless.
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